Fernando Martin Peña - Fernando Martín Peña
|Fernando Martin Peña|
November 12, 1968 (52 years) |
Buenos Aires , Argentina
|Educated in||National School of Cinematographic Experimentation and Production|
In the 1970s his father worked in an advertising agency and brought him 16mm copies of advertisements, and when he was 8 he was given a Super 8 projector . [ 1 ] Thus began his love for cinema and movies.
In 1991 he graduated from the Experimental Center for Filmmaking (Cerc, today called the National School for Filmmaking and Experimentation , Enerc) in the Critical and Research orientation [ 2 ] . In 1993 he founded the film magazine Film , which he co-directed together with Paula Félix Didier, Sergio Wolf and Aldo Paparella until 1998. In 1994, together with Octavio Fabiano, he created the Filmoteca Buenos Aires, a private entity dedicated to the preservation and dissemination of cinema, to the that shortly after the collector Fabio Manes joined them . In addition, Peña was a friend of the Uruguayan critic Homero Alsina Thevenet -from whom he inherited his library-, of the film clubSalvador Sammaritano and researcher Jorge Miguel Couselo . He regards all three as his teachers. [ 3 ]
He was the producer of three television series, among them Caloi en su tinta , hosted by Caloi , and one of the founders of the Association for the Support of Audiovisual Heritage (Aprocinain), which rescued nearly 300 Argentine films that were at risk of being lost. [ 4 ] He was one of the promoters of the regulation of Law 25,119, passed in 1999, which created the national cinematheque. [ 5 ]
Since 2002 Peña is the head of the cinema area of the Museum of Latin American Art of Buenos Aires (Malba). Between November 2004 and December 2007 he was director of the Buenos Aires International Independent Film Festival (Bafici). [ 6 ] He is a regular contributor to the Mar del Plata International Film Festival .
As a researcher, Peña recovered several films that were considered lost or incomplete. In 1997 he put together a copy of Los traidores (1973), by Raymundo Gleyzer , from fragments buried in different houses. [ 7 ] In 2008 he found in the Pablo Ducrós Hicken Cinema Museum a 16 mm copy of the film Metropolis , which, although it did not present the complete footage, did include most of it, which meant the incorporation of 26 practically unpublished minutes since its premiere in 1927. [ 8 ] In 2009 he found in the Museum of the End of the World , in Ushuaia, several short shorts by cartoonist Quirino Cristiani , whose work was considered totally lost. [ 9 ] In 2013 he discovered a version of the short El herrero , by Buster Keaton , with scenes that do not appear in the original version of 1922. [ 10 ] He also recovered and preserved a complete version of the collective production Argentina, May 1969 : the path of liberation . And in 2013 he found a longer copy of Los inundados (1962), by Fernando Birri .
Since December 2006, he has been conducting the Filmoteca film series , film themes at midnight on Argentine Public TV , in which between 2007 and 2013 he was accompanied by Fabio Manes, who died in 2014. Since 2015 he joined as a guest at several opportunities the critic Roger Koza, who from 2016 is co-host of the program with Peña.
Peña also programs the free film library Filmoteca live, in the Enerc room - the institution where he teaches - and created the Bazofi alternative festival as a section of the BAFICI festival ; Bazofi has grown in popularity from year to year and is now a fundamental part of BAFICI, being presented as the "dark and delusional reverse" of the main event. In both the films are screened exclusively on film.
- Gag: comedy in the cinema (1895-1930) (Byblos, 1991)
- Leopoldo Nilsson Tower (Publishing Center of Latin America, 1993)
- René Mugica (Latin America Publishing Center, 1993)
- Cinema burns: Raymundo Gleyzer (De la Flor editions, 2000). In collaboration with Carlos Vallina .
- Super Action Cinema (Norma publishing house, 2001). In collaboration with Diego Curubeto .
- Generations 60/90 (Malba, 2003). Editor.
- Cinema burns: Jorge Cedrón (Altamira - Bafici, 2003)
- Metropolis (Fan editions, 2011)
- One Hundred Years of Argentine Cinema (Biblos, 2012)
- Cinema is a car and a poem (Eudeba, 2013). In collaboration with Máximo Eseverri .
- HOW THE GARDEL EXILE WAS MADE (Argentina-2010), by Fernando Martín Peña.
- PEAJE (Argentina, 2000/2010) by Roly Rauwolf, c / Raúl Perrone and Fernando Martín Peña.
- "Movie hunters" . June 1st, 2013.
- «ENERC graduates» .
- "Life in shadows: a conversation with Fernando Martín Peña" . January 25, 2013. Archived from the original on April 8, 2014 . Retrieved April 8, 2014 .
- "Argentina lost a large part of its film archive" . September 27, 2003.
- «Cristina signed the decree of regulation of the national cinematheque» . August 30, 2010. Archived from the original on April 8, 2014 . Retrieved April 8, 2014 .
- "The BAFICI was left without a director" . December 22, 2007.
- Stantic, Lita: Some reflections on the Argentine political and testimonial cinema of the last thirty years . Diario Página / 12 (21-01-2000).
- "Missing scenes from Fritz Lang's Metropolis found in Argentina" . July 3, 2008.
- "A valuable material from the End of the World heritage was screened in Ushuaia" . August 21, 2012.
- "The partner of silence" . July 28, 2013.
- Fernando Martín Peña at the Internet Movie Database (in English) .
- Fernando Martín Peña in National Cinema.
- Report on Fernando Martín Peña and Octavio Fabiano on Página / 12 (02-25-2001).
- Report to Fernando Martín Peña and Fabio Manes in Los Inrockuptibles (09-17-2012).
- Report to Fernando Martín Peña in With the eyes open (01-25-2013).